Sermon Tone Analysis
Overall tone of the sermon
This automated analysis scores the text on the likely presence of emotional, language, and social tones. There are no right or wrong scores; this is just an indication of tones readers or listeners may pick up from the text.
A score of 0.5 or higher indicates the tone is likely present.
Emotion Tone
Anger
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Disgust
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Fear
0.05UNLIKELY
Joy
0.54LIKELY
Sadness
0.06UNLIKELY
Language Tone
Analytical
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Confident
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Tentative
0.66LIKELY
Social Tone
Openness
0.92LIKELY
Conscientiousness
0.36UNLIKELY
Extraversion
0.49UNLIKELY
Agreeableness
0.77LIKELY
Emotional Range
0.65LIKELY
Tone of specific sentences
Tones
Emotion
Language
Social Tendencies
Anger
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A Psalm of. . .
Asaph (1 Chr. )
•Psalms 50, 73–83
Asaph was the composer chief musician during the reign of David possibly of Solomon.
Some of the headings with his name could refer to his descendants ( “The of Asaph” at 1 .
25:2).
David (1 .
)
• “The Psalms of David” in this book introduction.
David was known for his musical ability even before he became king (1 .
–23).
Scripture remembers him as a highly gifted composer musician.
Ethan the Ezrahite
•Psalm 89
Ethan was a renowned wise in the time of Solomon (1 .
).
He have been the same as Jeduthun, a Levite appointed as a sanctuary musician under David (1 .
; ; –42).
Heman the Ezrahite
•Psalm 88
Heman was the grandson of Samuel of the leading musicians in David’s court (1 .
; –42).
Like Ethan, he was known for his wisdom (1 .
).
Moses (Ex. )
•Psalm 90
Moses was of the Israelites’ greatest leaders, who brought them out of to the Promised Land.
Solomon (1 .
)
•Psalms 72, 127
Apparently Solomon inherited his father David’s musical talent, for he composed 1, 005 songs (1 .
).
The of Korah
•Psalms 42–49, 84–85, 87–88
These descendants of the rebel Korah ( Num. 16:1) were Levites assigned by David to oversee worship music (1 .
–37).
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