D.J. Barnhouse gives this ill.
We will suppose the case of a man who loves violin music. He has the means to buy for himself a very fine violin, and he also purchases the very best radio obtainable. He builds up a library of the great musical scores, so that he is able to take any piece that is announced on the radio, put it on his music stand, and play along with the orchestra. The announcer says that Mr. Ormandy and the Philadelphia Orchestra are going to play Beethoven’s seventh symphony. The man in his home puts that symphony on his stand and tunes his violin with what he hears coming from the orchestra. The music that comes from the radio we might call foreordained. Ormandy is going to follow the score just as Beethoven wrote it. The man in his living room starts to scratch away at the first violin part. He misses beats, he loses his place and finds it again, he breaks a string, and stops to fix it. The music goes on and on. He finds his place again and plays on after his fashion to the end of the symphony. The announcer names the next work that is to be played and the fiddler puts that number on his rack. Day after week after month after year, he finds pleasure in scraping his fiddle along with the violins of the great orchestras. Their music is determined in advance. What he must do is to learn to play in their tempo, in their key, and to follow the score as it has been written in advance. If he decides that he wants to play Yankee Doodle when the orchestra is in the midst of a Brahm’s number, there’s going to be dissonance and discord in the man’s house but not in the Academy of Music. After some years of this the man may be a rather creditable violin player and may have learned to submit himself utterly to the scores that are written and follow the program as played. Harmony and joy come from the submission and cooperation.
So it is with the plan of God. It is rolling toward us, unfolding day by day, as He has planned it before the foundation of the world. There are those who fight against it and who must ultimately be cast into outer darkness because He will not have in His heaven whose who proudly resist Him. This cannot be tolerated any more than the authorities would permit a man to bring his own violin into the Academy of Music and start to play Shostakovich when the program called for Bach. The score of God’s plan is set forth in the Bible. In the measure that I learn it, submit myself to it, and seek to live in accordance with all that is therein set forth, I shall find myself in joy and in harmony with God and His plans. If I set myself to fight against it, or disagree with that which comes forth, there can be no peace in my heart and life. If in my heart I seek to play a tune that is not the melody the Lord has for me, there can be nothing but dissonance. Prayer is learning to play the tune that the eternal plan of God calls for and to do that which is in harmony with the will of the Eternal Composer and the Author of all that is true harmony in life and living. (Man’s Ruin: Romans 1:1–32 [Grand Rapids: Eerdmans, 1952], pp. 122–23. Used by permission.)
John MacArthur, Romans (Chicago: Moody Press, 1996), 40-41.