Sermon Tone Analysis

Overall tone of the sermon

This automated analysis scores the text on the likely presence of emotional, language, and social tones. There are no right or wrong scores; this is just an indication of tones readers or listeners may pick up from the text.
A score of 0.5 or higher indicates the tone is likely present.
Emotion Tone
Anger
0.07UNLIKELY
Disgust
0.03UNLIKELY
Fear
0.03UNLIKELY
Joy
0.83LIKELY
Sadness
0.04UNLIKELY
Language Tone
Analytical
0.58LIKELY
Confident
0UNLIKELY
Tentative
0.41UNLIKELY
Social Tone
Openness
0.99LIKELY
Conscientiousness
0.45UNLIKELY
Extraversion
0.34UNLIKELY
Agreeableness
0.15UNLIKELY
Emotional Range
0.51LIKELY

Tone of specific sentences

Tones
Emotion
Anger
Disgust
Fear
Joy
Sadness
Language
Analytical
Confident
Tentative
Social Tendencies
Openness
Conscientiousness
Extraversion
Agreeableness
Emotional Range
Anger
< .5
.5 - .6
.6 - .7
.7 - .8
.8 - .9
> .9
Rules of Engagement
In Act 1 Scene 5 of Shakespeare's play, Hamlet, Hamlet says to his friend: “There are more things in Heaven and Earth, Horatio, than are dreamt of in your philosophy.”
We often filter biblical content through certain presumptions and traditions
Traditions are not intrinsic to the Bible but rather systems that we have created to organize the Bible
The Bible is a theological and literary mosaic with its meaning found in the completed mosaic
Psalm 82 presents the intersection between the unseen world and the human world
We have been trained to believe that the history of Christianity is the true context of the Bible
The true context of the Bible is derived from those who actually wrote the Bible [2000 BC-100AD]
We have been desensitized to the theological importance of the unseen world
We often assume that there are things in the Bible that are just too weird to matter [See 1 Peter 3: 18-21]
There will be some internal conflict because of new information being presented
< .5
.5 - .6
.6 - .7
.7 - .8
.8 - .9
> .9